Anglo-German Brandt's moments were as decisive as Cartier-Bresson's, but he preferred to make obvious who had done the deciding. These gorgeous silver prints relish every detail: feet pop up out of the frame, wittily reflected in the doors behind them; a young woman's limbs and torso twine across a picture like rope. His surrealism has odd touches of tenderness, as does his social commentary, but don't mistake him for a photojournalist – he was no preserver of empirical truths.
Lars Laumann's hour long, documentary-style film 'Shut up Child, This Ain't Bingo', centres on Norwegian artist Kjersti Andvig, out in Texas in the months before the execution of death row prisoner Carlton Turner, with...